8 edition of Musical Works and Performances found in the catalog.
July 23, 2001
by Oxford University Press, USA
Written in English
|The Physical Object|
|Number of Pages||382|
And, finally, there was Frank Wildhorn’s “Dracula, the Musical,” which eked out performances at the Belasco in The only thing I remember about it . ASCAP licenses the public performances of its members' musical works. A public performance is one that occurs either in a public place where people gather (other than a small circle of a family or social acquaintances). A public performance is also one that is transmitted to the public, for example, radio or TV broadcasts, and via the Internet.
There is a more complicated exemption for performances at a nonprofit institution (e.g., school, college, church, or charitable organization), if the performers, promoters, and/or Performance of musical works “in the course of services at a place of worship” is not 2. works published, or copyright registered, between and Recently, a number of philosophers have defended a novel, materialist view on the nature of musical works—musical perdurantism. According to this view, musical works are a peculiar kind of concreta, namely perduring mereological sums of performances and/or other concrete entities.
• Latest Update: A Movie Adaptation of the Mean Girls Musical Is in the Works (1/23/) MEMPHIS • Production Company: Alcon Entertainment, Belle Pictures, The Mark Gordon Company, Warner : David Gewirtzman. Right now I will be analyzing how the book, Wicked: Life and Times of the Wicked Witch of the West and the musical Wicked are extremely different. The book was written by Gregory Maguire and published in The story is very different than the musical adaptation of it, as the book is much darker and more evil and the musical is well- obviously very happy.
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This book considers these and other intriguing questions. It first outlines the nature of musical works, their relation to performances, and their notational specification; it then considers authenticity in performance, musical traditions, and by: This book provides a contextualist ontology of musical works, distinguishing works for playback from ones for performance and, among the latter, studio from live performances.
Works are variously thick or thin to the extent that they determine details of their faithful renditions. Through the element of interpretation, performances are richer in constitutive properties than are the.
Musical theatre is a form of theatrical performance that combines songs, spoken dialogue, acting and story and emotional content of a musical – humor, pathos, love, anger – are communicated through words, music, movement and technical aspects of the entertainment as an integrated gh musical theatre overlaps with other theatrical forms like opera and.
Stephen Davies presents an exploration of the nature of Musical Works and Performances book works, their performances, and the ways in which they are notated. He argues that works come in a variety of types, and discusses such questions as whether it is possible to perform old music authentically, the relations between recordings and live performances, and more.
Get this from a library. Musical works and performances: a philosophical exploration. [Stephen Davies] -- What are musical works. Are they discovered or created.
Can recordings substitute faithfully for live performances. This book considers these and other intriguing questions. It. This book unravels the complexities of playing music and reveals aspects of learning, playing and responding to music relevant to performances of all levels.
A survey of performance through the ages leads to a presentation of basic historical, analytical and psychological concepts/5(5). Performances of musical works that tell a story (e.g., operas, musicals) UNLESS only an excerpt is used, and in a non-storytelling way, AND. Performances that combine musical works with choreography, acting, etc.
Examples: Grand rights: Vocalists performing a scene from an opera, an actor singing a pop song during a playAuthor: Raven Lanier. Ask the MLA appendixes dramatic works performances using sources works-cited lists How do I cite a scene deleted from a play. Cite the version of the scene you consulted, whether a typescript from an archive, an online resource, an appendix to a print edition, or a live or.
Ask the MLA musical works songs sound recordings works-cited lists How do I cite stand-alone sound recordings like MP3 or WAV files. To cite stand-alone audio files, begin with the MLA format template: In the author-element slot, list the person or.
The ontology of musical works often sets the boundaries within which evaluation of musical works and performances takes place. Questions of ontology are therefore often taken to be prior to and apart from the evaluative questions considered by either performers as they present works to audiences or an audience’s critical reflection on a.
Arranged in chronological order, entries are given for broadcasts of first performances of musical works in the United Kingdom, and include details of: the date of the broadcast, the composer, the title of the work, performers and conductor. As in non-musical plays, the ending of each scene in a book musical has to project the action forward, pointing the audience's interest into the scenes to come.
Since good showtunes often capture a moment of transition, realization or decision, a song (or a brief reprise) is often used to bring scenes to a close. LEO SCHWARTZ (Book, Music & Lyrics) is the Off-Broadway Producer of The Book of Merman as well as its composer/lyricist and co-book writer.
A multi-award-winning composer of musical theatre, film, and concert music, his musicals have been recognized by numerous festivals. Cite live theatrical, artistic, musical or dance performances in your notes only, unless the work is central to your argument, in which case you can include it in your bibiliography.
Include the title of the work, the creator, any key performers and an indication of their roles, the venue, location, and date of the : Elwyn Sheehan. Rent (stylized as RENT) is a rock musical with music, lyrics, and book by Jonathan Larson, loosely based on Giacomo Puccini's opera La tells the story of a group of impoverished young artists struggling to survive and create a life in Lower Manhattan's East Village in the thriving days of bohemian Alphabet City, under the shadow of HIV/: La Bohème, by Giacomo Puccini.
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This book fails to live up to its title, and indeed to the name of its author, who's musical career might lead you to expect that he has some interesting insight into the question of how music works. What you get instead is a cursory and unfocused ramble through recent history of music technology and theory, loosely tied together with some 4/5.
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The Maudlin Fee is the singer/songwriter project of Dale Baker. As a longtime member of the late 90's, early. She rejects the finding that the concept of a musical work emerged in the sixteenth century, placing its emergence instead around The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music Lydia Goehr Musical Works and Performances, Stephen Davies () The End of Early Music, Bruce Haynes ()Author: Lydia Goehr.
Ideally authentic performances of musical works execute the work-identifying prescriptions issued by the composer, usually in scores. The performer. The 25 Best Music Performances in Movies Bridges created a moving performance by delivering some of the most authentic musical performances ever put on the big screen.
He won the Oscar for.The original Broadway show featured the first and only all-teenager cast and band. The musical’s run on Broadway was short-lived, running for only Author: Brian Welk.WELCOME TO THE OFFICIAL WEBSITE OF BACK TO THE FUTURE THE MUSICAL.
PERFORMANCES BEGIN 20 FEBRUARY AT THE MANCHESTER OPERA HOUSE. OPERA HOUSE - MANCHESTER. TURN YOUR FLUX CAPACITOR ON.
AND GET READY FOR GIGAWATTS OF EXCITEMENT. Back to the Future the Musical arrives in at .